We Loved So Much
Instrumental House
Anyway feels close to the decision to continue when there is still too much to say. Its instrumental electronic setting leaves those unfinished sentences to the listener. Rhythm can be imagined as a set of steps finding direction inside that uncertainty.
The figure moving along the coast gives the story its motion. Nothing requires every question to be resolved before leaving a place. This is a listening scene for an evening when you can walk on with uncertainty beside you, without forcing it to become an answer.
- Rhythm
- Emotional instrumental electronics
- Mood
- Unfinished, accepting, moving on
- Listening moment
- A road with room for thought
